Made by Kath Davis for her glory box in the late 1930s but never used during married life.

Kath Davis began collecting items for her glory box when she started work at 17, living with her parents in Traralgon, and had competed her collection by around 1940.

Physical Description

Cake or sandwich tray doily, rectangular with flower motif at each end with green worked edging.


Glory boxes represented a significant rite of passage for many women growing up before, during and after World War Two. They provide a material symbol through which can be explored themes of artistry, sexuality, economy and cultural maintenance. Of particular interest is how glory boxes can be used to track the growing consumer culture after World War Two and how there was a shift from the hand made to the mass produced. The traditions cross time and cultures.

Kath Davis's box is significant for the strength of its documented story, and for its completeness in terms of survival of both the box and its collection.

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